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J. CHANCE COLOR WORK & FILM

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EZRA IN EXILE (2019)

EZRA IN EXILE (2019)

EZRA In Exile; You’ve Worked Hard, Now It’s Time to Work Smart.

February 22, 2016

There’s something to love about the Ursa mini 4.6K’s pure flexibility! The ability to come up with a look, take that look make it into a LUT and then apply that LUT into my camera then shoot monitoring it is truly amazing and makes the color correction and grading process take a third of the time. Shooting RAW also made it so much easier to “choose as I go” and determine whether I’d like a cleaner shadow look, or a more atmospheric look. Using the RAW capabilities in Resolve, I could choose between both and decide with relatively no issue.

However…
There’s been a bit of an uproar about the removal of Cinema DNG (raw) and replacing it with Blackmagic RAW, but there was also a big “uproar” about BMD’s low light of the Ursa mini; and as we all know, that’s moreso how the tool is used than the tool itself.

← Color Pallets; More Metaphysical Than You ThinkPHALLON BECKHAM’S IMAGE OF BALTIMORE →

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